Andrew Ervin interviewed Matt Bell for Tin House. Bell’s forthcoming novel In the House Upon the Dirt Between the Lake and Woods will come out this summer. (Excerpt) It’s a book that was at least partially enhanced by Bell’s sense of “competition … of a useful kind” with his friend Robert Kloss. “I was so blown away [by Alligators of Abraham],” Bell admits, “that I can remember having to resist putting down his first novel to go make mine better.”
According to The Guardian, “researchers in Australia have developed a computer program which writes its own fables, complete with moral.” No word yet on whether they’re any good.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Is it possible you have a binge reading disorder? It might seem ridiculous, but there’s mounting evidence that the Internet, which allows us to read far more than we ever have, is creating a world in which we constantly read but retain very little. Nikkitha Bakshani takes a look at the evidence for The Morning News.
“Every atom of my blood, form’d in the soil of this earth, runs hot / As I wheel through this snaked monster of steel, The Steamin’ Demon.” Ride The Steamin’ Demon at Six Flags with Walt Whitman. Pair with our own Michael Bourne’s piece on how Whitman saved his life.