Amidst the tragic news that Iain Banks has cancer, The Telegraph responds with a headline for the ages: “Iain Banks taught me that books can be a hand grenade“
Lob One for Iain
Finding the Words
At Louisiana Channel, Colm Tóibín discusses finding the perfect sentence to start your book. In honor of the Oscars, Bill Morris wrote about the adapted screenplay for Tóibín’s Brooklyn.
A Few Last Words
How did Bob Mankoff know something was wrong with Roger Ebert? Because he failed to enter The New Yorker’s weekly caption contest, of course. To honor Ebert’s memory, the magazine published his final cartoon captions.
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Ryan Gosling San Serif
Font geeks will get a kick out of this witty Tumblr site that mashes up glam shots of Ryan Gosling with lessons on the proper, and improper, uses of many typographical fonts and symbols.
Justin Cronin on Writing “The Passage”
The Passage author Justin Cronin answers questions for Salon's Reading Club: “For many years ... I had vivid nightmares of nuclear apocalypse.”
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fragment:story
If you know what the phrase "hypertext story" means, you're likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
Mary, Mary, Quite Contrary
"I think if a woman is absolutely happy with herself, that goes a long way in getting others to accept her choices. But it’s hard to be absolutely happy with yourself, whoever you are. I mean, what kind of maniac is that?" What kind of maniac are you? This interview with Mary Gaitskill from Guernica Magazine is fantastic.
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Write Fast
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
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Toni Morrison Changed the Literary Canon
Read our own Kaila Philo's essay on Toni Morrison's new book The Origin of Others and then pair it with Nell Irvin Painter's reflection on 'Toni Morrison’s Radical Vision of Otherness.' "Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color."