“Everyone was compared to García Márquez or Fuentes once upon a time. Now it’s Bolaño or Vila-Matas (best case scenario). I am not sure what the reason for this is. There are many possible explanations. One may be that Latin America is still conceived by many as a kind of remote, torrid zone, an isolated and disconnected region of the world. So the only possible references associated with younger writers are the better-known older ones, always writing within the same language.” Over at The White Review, Stephen Sparks interviews Valeria Luiselli about Latin American criticism and borrowing from the past. Also check out Lily Meyer’s Millions review of Luiselli’s new novel, The Story of My Teeth.
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
It’s official, kids: Dave Eggers will publish a new novel this fall. Named The Circle, the book tells the story of Maeve Holland, a woman who takes a job at a Google-esque company in California. Despite the seemingly idyllic nature of the fictional company’s campus, Knopf assures us that the book is “a novel of suspense.”