“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
Twenty U.S. publishers have teamed up with Netherlands-based platform Blendle to launch a beta version of the app in the U.S., which allows users to purchase individual articles instead of subscriptions to magazines and newspapers. Many are questioning what the future of journalism may hold in light of this new user model. If you’re wondering about the future of the book, check out our column on it.
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
Spider-Man is one of our favorite superheroes, but he’s a terrible journalist. At The Atlantic, Daniel D. Snyder discusses how Peter Parker and Clark Kent are unethical reporters. “The media is, in theory at least, supposed to be honest. Putting on a costume, coming up with a fake name, and lying to everyone about what you really do are the opposite of that.”
Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.