“Aposiopesis: To cut short a trash-talking opponent mid-taunt by suplexing him. Can also be used in political debates.” Matt Seidel walks readers through a glossary of rhetorical wrestling terms.
Writing in the London Review of Books (Reg. Req.), Evgeny Morozov clued me onto how “scientists at UCLA – with funding from the Chinese government – have built an ‘image to text’ system that automatically produces text summaries of what is taking place in captured video.” A similar technology was also developed by NYU student Matt Richardson, whose “descriptive camera” can “automatically describe the scene in a camera’s viewfinder, which, when the image was uploaded, would make it easier to find.” Meanwhile one Twitter is describing typical Instagram shots in 140 characters or fewer.
The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
Some people may not have realized the Oscar nominated Call Me By Your Name was originally a novel. André Aciman wrote an essay for Vanity Fair on the process of watching his novel adapted into film, in particular what it was like watching the scene he calls the most important come to life. Read the essay plus what author Martha Southgate had to say about the novel for her 2007 Year in Reading essay. And then go see the film!