Recommended Reading: “Fog Count” by Leslie Jamison, which is a stunning piece of writing about West Virginia, coal country, an ultramarathon runner, the American housing crisis, its nightmarish prison system, and so, so much more.
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.
At the Guardian, Brian Dillon writes about great creative minds who had fertile imaginations for the maladies that befell them.
Kory Stamper, one of the lexicographers responsible for Merriam-Webster’s dictionary, describes the pleasures and poetry to be found in the Third Edition’s “color definitions.” Take vermillion for example, which is listed as “a variable color averaging a vivid reddish orange that is redder, darker, and slightly stronger than chrome orange, redder and darker than golden poppy, and redder and lighter than international orange.” (Related: how colors got their names; who names colors what.)
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”