“Fifty Shades of Grey follows this long history of class ascendancy via feminine wiles, but does so cleverly disguised as an edgy modern bodice-ripper,” writes Heather Havrilesky in the latest issue of The Baffler. Throughout the piece, Havrilesky explores the way luxury brand fetishism and conspicuous consumption fueled E.L. James’s “female-friendly” pornography phenomenon
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself “The Sad Puppies” has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote “left-leaning messages,” the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.
Check out some of the good stuff floating around:A bookstore on a boat at The CS MonitorSimilarties between David Mitchell’s Number9Dream and Cloud Atlas at Conversational Reading.Tingle Alley discovers that Zadie Smith’s hubby Nick Laird may be getting preferential treatment in the book pages.Aelfred of Dunwoody Recalls a Viking Incursion at Wal-Mart, 848 AD. You can’t really beat this.
“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.