Jeff Ragsdale (Jeff, One Lonely Guy) produced, shot and edited an “immersion documentary” in which he accompanied Canadian escorts on hundreds of calls over a span of several months. The half-hour film is entitled “30 Nights with a Call Girl.” Millions readers may recall Ragsdale’s work from its mention in our own Sonya Chung’s essay “On Loneliness.”
Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
“Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments.” Our own Lydia Kiesling writes for Salon about the “caucasian, Ivy-educated writers of literary fiction set in Brooklyn” and the novels they’re producing, particularly the just-released-yesterday Friendship by Emily Gould.
The New York Times Magazine published an excerpt of the latest novel by Dave Eggers. The book, titled The Circle, follows Mae Holland, a woman who takes a job at a Google-esque company dubbed “the most influential in the world.” At Reuters, Felix Salmon critiques the book’s take on Silicon Valley.
The deadline for DIAGRAM’s annual essay contest is fast approaching. Past winners include Peter Jay Shippy’s “Goonies: or Wallace Stevens’s ‘The Snowman’–an Essay in 7 Films” and (my all-time favorite) Cheyenne Nimes’s “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.”