Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions “comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
New Yorkers: the Brooklyn Book Festival kicks off tomorrow evening, and you can get things started off right with this party hosted by Tumblr, Electric Literature, The LA Review of Books, and The New Inquiry. The following night, however, is when you should carve out some time to see The Greatest 3-Minute Book Stories — which will feature readings by Maris Kreizman (Slaughterhouse 90210), Alexander Chee (Edinburgh), Dan Wilbur (Better Book Titles), Christopher Beha (On Making Sentences Do Something), and yours truly (these Curiosities) among others.
“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.