In 1952, John Steinbeck wrote that Al Capp, the cartoonist and Lil’ Abner creator, might well have been the best writer working in the world at the time. In the Times, Andy Webster reviews a new biography of Capp, which reveals that underneath it all lay “a toxic chip on his shoulder.”
Contrarian
Chance Meetings
In 1817, the painter Robert Benjamin Haydon invited several guests over for what he called an “immortal dinner.” Why the bombastic name? The guests included Keats and Wordsworth, whom Haydon wished to introduce to each other. In the WaPo, Michael Dirda takes a look at The Immortal Evening, a new book about the event by Stanley Plumly.
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The Best and Worst of Times in Today’s New York
This September, OR Books will publish Tales of Two Cities, an anthology of short fiction focused on economic inequality in New York City. Among its contributors are some familiar names: Junot Díaz, Lydia Davis, Dave Eggers, Colum McCann, Téa Obreht, Zadie Smith, and Teju Cole. The volume will also be illustrated by Molly Crabapple, whose Occupy Wall Street portraits earned critical acclaim in 2012.
“Signs and Symbols” For Teh Internets
“If only the interest he provokes were limited to his immediate surroundings, but, alas, it is not!… Still farther away, great mountains of data mining sum up, in zeroes and ones, the ultimate truth of his being.” KA Semënova updates Nabokov‘s short story “Signs and Sumbols” (and works by other famous Russian authors) for McSweeney’s, “teh internets” and the digital world.
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“No one remembers Mr Coffee Nerves”
“Suddenly I couldn’t believe/you have to put it back,/must be intelligent,/bring sandwich money,/whether British or American.” Three new poems by John Ashbery.
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Witt on Einhorn
In Emily Witt’s last piece (she got a book deal) for the New York Observer, she profiles Amy Einhorn and her self-named imprint. (via)
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Or Is this Just a Silly Comparison?
Could the reinvention of prolific food chronicler Ricky Rozay’s rap persona provide a guidebook for the recently exposed Jonah Lehrer? (h/t Ryan Chapman)
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Although I liked “Li’l Abner” the comic strip and the Broadway show (my parents took me when I was pretty young), anyone who ever saw Al Capp even briefly on TV in the 50s and 60s could see he was not a nice person or even a decent human being.