In 1952, John Steinbeck wrote that Al Capp, the cartoonist and Lil’ Abner creator, might well have been the best writer working in the world at the time. In the Times, Andy Webster reviews a new biography of Capp, which reveals that underneath it all lay “a toxic chip on his shoulder.”
Contrarian
You Should Move
“By three a.m., the seven of us had drunk a case of champagne, plus two additional bottles, followed by whiskey digestifs for the men. ‘They do this all the time,’ Pierre’s wife Chloe whispered to me in English at one point—dismissively, but without malice. As if to say, sure, Pierre’s relatives were lushes, but perhaps this was how life should be, inévitablement.” I doubt I have to tell you what city this all took place in.
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Sheepoetry
“The idea was that the words would form a meaningful haiku – or ‘haik-ewe’ as Valerie called it – however they were viewed on the backs of the grazing sheep.”
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I Can Haz Russian Masters
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
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A Fresh Set of Obstacles
“As employers cut down on benefits and flexibility, more and more people, especially parents and those with chronic illnesses or disabilities, are getting squeezed out of ‘regular’ workplaces and into the freelance economy. What they find there is a whole new labor market that comes with a fresh set of obstacles—and some benefits, too.” On how companies and labor policy push women toward freelancing.
Although I liked “Li’l Abner” the comic strip and the Broadway show (my parents took me when I was pretty young), anyone who ever saw Al Capp even briefly on TV in the 50s and 60s could see he was not a nice person or even a decent human being.