“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
For every reader who grew up enamored with LeVar Burton‘s now-cancelled PBS show, Reading Rainbow, there’s fresh hope. A Kickstarter campaign to create a spin-off, web-based version of Reading Rainbow that aims to spread literacy to children in under-served schools was launched yesterday and has already received a significant portion of its funding goal. While there are some concerns about the project, the nostalgia factor is incredibly strong, and who doesn’t want to spread the love of reading to children?
“I’m fascinated by epigenetics. My father had polio that affected his left leg, and I walk with my left foot turned in for no good reason at all. I was attacked by a dog when I was ten, and both my daughters have an irrational fear of dogs. It makes a strange kind of sense.” Year in Reading alum Rebecca Makkai discusses Music for Wartime and her writing process with Christine Rice. We interviewed Makkai following the release of The Hundred-Year House.
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
Nell Zink, whose second novel comes out next week, has one of the lit world’s more unusual origin stories. An expat in Germany, she wrote her first novel in three weeks, after striking up a friendship over email with Jonathan Franzen. In the latest New Yorker, Kathryn Schulz details her story in full. You could also read Emily Gould’s recommendation of her work for Year in Reading.
Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.