“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”
“APRIL is the cruellest month, breeding/Lilacs out of the dead land,/we’re graduating in may/do we seriously still have to do the reading/theres like three weeks left you cant be serious.” You know T.S. Eliot’s “The Wasteland,” but have you read Mallory Ortberg’s “The Teenage Wasteland” at The Toast?
At The Awl, James S. Murphy goes in-depth on the Stony Brook study, which I wrote about last week, that identified characteristics of historically successful books. In making a point about the publishing industry, he references the sale of our own Garth Risk Hallberg’s debut novel.
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”