“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
Earlier this week, our own Thomas Beckwith reported on the Hermione/Ron scandal. Now, Mallory Ortberg has penned Ron Weasley’s secret diary at The Toast. “I don’t want to die. I’ve never even seen a movie. Seventeen years old and I’ve never seen a movie and I still don’t know what math is.” No wonder why J.K. Rowling wanted Hermione to end up with Harry.
New Directions has just released The Complete Stories of Brazilian legend Clarice Lispector, newly translated by Katrina Dodson and edited by Benjamin Moser. There are eight stories in the collection that had never before appeared in English: “Covert Joy,” “Remnants of Carnival,” “Brasília,” “Beauty and the Beast or The Big Wound, “One Day Less” (one of the two final stories left in manuscript at Lispector’s death), “Gertrudes Asks for Advice,” “Another Couple of Drunks,” and “The Escape.” Check out Magdalena Edwards‘s Millions review of the collection.
“People are deeply uncomfortable with the idea that the characters they love and regard as people, real people, were made up by someone, especially if that someone is a woman.” Cassandra Clare, the author who began by writing fanfiction and went on to pen the wildly successful The Mortal Instruments series, talks about her work with Penelope Green.