Recommended Reading: Robert Silvers defines Instagrams, and also discusses his tenure with the New York Review of Books as well as the publication’s raison d’être.
“I’ve been spending a lot of time with my husband’s American cousins, who have a five-year-old daughter. She is fascinated and confused by my ‘Briddish’ accent, which she seems to think at points is something I’m putting on. She invented a game where she’ll point at an object in the room and I have to say the word for it—Carpet! Dump truck!—in my best American accent (which is dreadful, by the way). This had her in stitches. When the laughter had died down, she turned to her parents, suddenly contemplative, and said, ‘Isn’t it amazing that Sarah knows a few words in our language?’” Lily Blacksell interviews T.S. Eliot Prize-winning poet Sarah Howe on how being in the U.S. changes her perception of language, writing in the first-person, and “authenticity.”
So does literature really have the power to bring liberals and conservatives together? Probably not. Either way, this is still a fascinating study: “The ‘most startling result was this: it was conservative — not liberal — readers who are most active in producing this space of cultural compromise.’ Basically, within this sample size, conservative readers tended to exude more generous praise for ‘bridge books’ and did so with a vernacular considered to be ‘less heated or emotional.’ Grammatically, they also expressed ‘more complex thoughts.'”