JW McCormack has some Notes Toward [A Potential] Film Adaptation of Roberto Bolaño’s 2666 up at The American Reader. As somebody who can’t even fathom making Cormac McCarthy’s decidedly less brutal (although still unimaginably brutal in its own way) Blood Meridian into a film, let me tell you: the idea of turning 2666 into a theater-ready motion picture seems impossible. (P.S. You really should just read both of those books…)
2666: The Movie?
You’re (Printed In) Carcosa Now
The Only RX Press is calling for short stories between 1,000 and 3,000 words “related to or inspired by True Detective.” (Related: Our own Ujala Sehgal recommended five crime novels in which the women are the true detectives.)
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Unbreakable
Recommended reading: Wil S. Hylton profiles Laura Hillenbrand and the effects of chronic fatigue syndrome on her writing in a piece for The New York Times Magazine, just in time for the release of the film adaptation of Unbroken.
Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
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Book Signings in the Digital Age
The New York Times looks at new technological efforts to make book signings work in the age of the ebook. One idea is an e-reader add-on that lets the reader snap a photo with the author, which the author can then sign with a “digital stylus.” The photo is meant to make its way to Twitter and Facebook, of course. “Bragging potential? Endless,” says the Times. Authors: get ready to say “cheese”?
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Travel Estimate
Write what you know? Pssh, how twentieth-century. More like write what you can Google Map.
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