Martin Connelly takes a look at The International Cryptozoology Museum, which is run by Loren Coleman up in Portland, Maine. If you can’t make the pilgrimage yourself (or if you’re just put off by chupacabra taxidermy), you can also get a feel for the study of far out beasts by reading Coleman’s “genre-defining” book, Cryptozoology A to Z.
"He was known to step out for cigarette breaks onto a narrow ledge beyond the bedroom windows. Attached to the wall next to a door is a brass speaking tube that he used to call down for lunch." F. Scott Fitzgerald’s Gatsby house on Long Island sold for $3 million earlier this year, but you can still own a piece of him: The Washington Post reports that the four-bedroom Victorian in Minnesota where he penned the manuscript This Side of Paradise is currently listed at $625,000.
"It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for 'Camera Obscura' shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)" John Colapinto looks at Nabokov's retranslation of Laughter in the Dark for The New Yorker.
"As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word." For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston's work was featured in Alexander Chee's 2015 Year in Reading.
There was a time, believe it or not, when poets made appearances on widely-seen American talk shows. That time was the fifties and sixties, when Carl Sandburg appeared on The Today Show, The Ed Sullivan Show and Edward R. Murrow’s See It Now. (He also gave a speech before Congress and competed on What's My Line?)