The 80th birthday of Philip Roth inspires a festschrift of sorts over at New York Magazine, with Sam Lipsyte, Kathryn Schulz, James Franco (natch), and others weighing in on Roth’s Best Book and other vexed questions. (For the record, it’s Sabbath’s Theater.)
When He Was Good
It’s all about the characters
In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”
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Amor Amphibii
We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)
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Old Writers, New Media
Which convergence between classic author and modern technology is more off-putting: the University of Virginia’s William Faulkner recordings, or this YouTube video of Leo Tolstoy sawing wood?
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Google Poetry Translation
Google is adapting its translation technology to accomodate the nuances of poetry. Guardian asks, how will it handle “The Jabberwocky”?
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A6: Edith Wharton
At some point, you’ve probably had a daydream about a vending machine that sells books. Well, guess what. (There’s also a video guide.) (Thanks, Andrew)
Addressing the Critics
Last week, I directed you to Catie Disabato’s Thick Skin interview at 0s&1s. This week, Year in Reading alum Laura van den Berg joins them for the latest installment of the series, in which authors address their critics. We also recently interviewed van den Berg following the release of her first novel, Find Me.
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