When your first name is interesting or just plain weird, you learn how not to get sick of explaining what your parents were thinking. Fortunately for Brevity editor Dinty Moore, his name is “more a gift than a burden.”
“Samuel Greenberg belongs in the pantheon of literary manqués,” writes Jacob Silverman. The poet was a favorite of Hart Crane, who described him as “a Rimbaud in embryo.” But did Crane take his adoration too far? Did he in fact “remix,” re-purpose, or plagiarize some of Greenberg’s work?
Now that Louise Erdrich has won the National Book Award, it’s worth looking back on her interviews from recent years. You can read her piece in the Art of Fiction series, published in 2010 in The Paris Review; you could try her interview with the Times from back in October; or else you could take a look at her sit-down with The New Yorker in April. (This probably goes without saying, but you could also just read her new novel.)
Year in Reading alum Maria Popova of Brain Pickings writes her first book review for The New York Times on Dark Matter and the Dinosaurs by Lisa Randall, a Harvard cosmologist. Randall proposes ”that a thin disk of dark matter in the plane of the Milky Way triggered a minor perturbation in deep space that caused the major earthly catastrophe that decimated the dinosaurs.” Jenny Hendrix writes about modern-day extinction for The Millions.
“The short story, as a form, has plenty of defenders,” the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because “despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end.”