For all you High Fidelity enthusiasts out there: the hidden world of literary record collecting.
Top Five Desert Island Poems
The Real Slim
Few people have heard of Iceberg Slim, but that doesn’t mean he hasn’t been important. His autobiography, published in 1967, tells the story of his life as a pimp, and one of his novels, Trick Baby, was made into a 1972 movie. He’s been called “the Mark Twain of hip-hop.” At Salon, Scott Timberg talks with Justin Gifford, the author of a new biography of Slim.
La Grande Mort
“A coroner’s pronouncement of suicide (felo da se) resulted in forfeiture of the deceased’s goods and property to the state, often leaving any surviving relatives destitute. So the increasingly common verdict of temporary insanity (non compos mentis) may suggest a change in how people understood the act of self-destruction: no longer construed as a demonic temptation, it came instead to be viewed as a symptom of lunacy.” On the prevalence of suicide in eighteenth-century English literature.
Pablo Neruda’s Body to be Exhumed
In 2011 I wrote about a group of Chilean Communists who wished to exhume Pablo Neruda’s body. They alleged that Neruda was murdered. Now, two years later, a judge has ordered the corpse to be exhumed and autopsied in order to set the record straight.
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For the Birds
It’s not easy being a seagull. Over at the London Review of Books, Mary Wellesley takes a sympathetic look at how the much-maligned bird has been treated throughout the history of literature. Afterwards, let this essay from The Millions by Kristen Scharold on the joys of birdwatching lift your spirits a bit.
Alzheimer’s & Literature
“It’s a critical dilemma in my reading and writing but also a real-life dilemma in a family like mine, with Alzheimer’s in our genes: How do you locate the personhood in someone who is, for neurobiological reasons, no longer the person you knew? Is there a way to be true to medical fact and still find something that is transcendently human?” Stefan Merrill Block writes about the literature of Alzheimer’s and Matthew Thomas‘s We Are Not Ourselves, which Lisa Peet reviewed for The Millions.
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