“Russia’s most celebrated writers – including Dostoevsky, Tolstoy, Nabokov, Bulgakov, Solzhenitsyn and Mandelstam – are often depicted as solitary geniuses. But many of their works were the fruits of creative partnerships with their wives. Far from being passive typists, they served as editors, researchers, translators, publishers and more.”
The Wives of Russian Masters
Craft Work
It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
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Lolita Covered
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“The intersection of nature and man, and lovely”
In recent months we’ve had pieces about the homes belonging to Zora Neale Hurston and George Orwell, so in the spirit of that trend I encourage you to check out Nic Brown’s brief look at William Faulkner’s beloved Rowan Oak.
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The Moth Wins MacArthur Award
Among the institutions that have just won MacArthur Awards are The Moth, for promoting the art and craft of storytelling, and the Center for Investigative Reporting, for engaging the public and sparking policy change.
“I was sad as I began to think that I might be gay.”
Recommended Listening: Andrew Solomon’s Moth story, “My Post-Nuclear Family.” (Solomon’s work has previously been shouted out in our Year in Reading series by Millions staffers Hannah Gersen and Edan Lepucki.)
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Connected by “And” and “And”
New books of poetry from names like Linda Gregerson and James Tate are always a cause for celebration. Over at the New Yorker, Dan Chiasson takes a look at Gregerson’s Prodigal: New and Selected Poems and Tate’s Dome of the Hidden Pavilion in one extremely thorough essay.
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The Right Side of History
"I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair." For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad's interview with Bennett.