The greatest trick David Cameron ever pulled was getting The New Yorker to reject itself.
Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer's Notebook II, published by the folks at Tin House. (Related: we published Harper's editor Christopher Beha's essay in the book last year.)
"Here’s a challenge for you: find a book jacket that features an image of a woman over 40." Despite being one of the biggest consumers of books, The Guardian writes about the lack of middle-aged women on book jackets. Pair with: an essay on the sexy-backed, faceless-woman book cover trend.
Haven’t heard of Heck? You will soon. The new magazine, edited by Jeremy Keith Spencer, boasts an impressive masthead of contributing editors, including Wells Tower, Gideon Lewis-Kraus and Millions contributor Darcey Steinke. You can also help crowdfund the magazine via Indiegogo.
How was Charlotte Brontë at 8? According to her school reports, she "'[wrote] indifferently' and '[knew] nothing of grammar, geography, history, or accomplishments". Of course, she went on to write Jane Eyre, and as The Guardian points out, many a famous writer received middling reports in school, so maybe there's hope for other "indifferent' writers.
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
At The Rumpus, Catherine Brady interviews Daniel Alarcón, who recently came out with a new novel. Alarcón talks about his love of Roberto Bolaño and the paradox of writing about prison, among other things. (You could also read Jeff Peer’s review of the author's new book.)