As of last night, the UK has a brand new literary prize, the Folio, which its founders describe as “a Booker without the bow ties.” The Independent chronicles the short history of the prize, which owes its existence to a controversy among Man Booker judges two years ago.
The New Kid
What We Owe
Recommended reading: In a piece for the LA Times David Ulin ponders the ethics of writing. "What do we owe our subjects? Do we have the right to tell their stories at all?"
●
●
Kafka’s “The Country Doctor” as a film
The internet's repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story "The Country Doctor" has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren't going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
●
●
The real Susan Orlean diet
The Skinny is acclaimed author Susan Orlean's strangest work, hands down: a half-serious diet book that advises women, among other things, to cover tempting food with bleach. Not one to follow her own advice, Orlean's diary of a week of eating for Grub Street features yogurt breakfasts, crackers eaten over sinks, and other basically realistic, bleach-free culinary adventures.
Spying with Mountain Chicken Mother of the Buddha
Recommended Reading: Anya Groner's short story "Suspecting the Smiths" at The Oxford American. "From the ages of nine to eleven, I worked as a spy... I discussed my cases with my partner, who went by code name Mountain Chicken Mother of the Buddha."
●
●
Eclipse Archive of Radical Small-Press Writing
Step 1: Read a sentence that says, “Eclipse is a free on-line archive focusing on digital facsimiles of the most radical small-press writing from the last quarter century.” Step 2: Click through and explore the site. Step 3: Look up and realize six hours have passed.
●
●
Reel Art
"'A good projectionist should be invisible,' he says, his small rectangular glasses steadied on his forehead. 'No one should be able to tell you’re in the booth changing the reels.'” A look at the hidden process of reel-to-reel cinema.