As of last night, the UK has a brand new literary prize, the Folio, which its founders describe as “a Booker without the bow ties.” The Independent chronicles the short history of the prize, which owes its existence to a controversy among Man Booker judges two years ago.
The New Kid
Almighty Beyoncé
“O Unslaked Bill Maher, is it true that everything sucks? It probably is, but I didn’t think we were supposed to know that yet.” Fathers of pre-teen girls appeal to higher powers of various, disparate denominations over at McSweeney’s.
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Appearing Elsewhere
Fence has a new web site. And a new fall issue! My story “The Art of Forgetting” appears online, alongside new work by Ariana Reines, Mary Jo Bang, and Thomas Israel Hopkins.
Kafka in Myanmar
“On my manhood rests a tattooed / portrait of Mr. President. / My beloved found that out after we wed. / She was utterly gutted, / Inconsolable.” Poet Maung Saungkha may have to prove in a Myanmar courtroom that he doesn’t have a tattoo of the nation’s president on his genitals.
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Introducing Flannery O’Connor
Adrian Van Young at Electric Literature has compiled a reading primer for the works of Flannery O’Connor. Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
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Multi-Tasking
“When you want to read a long book, for reasons of weight a paperback must do, and you’ll just have to suck it up re: its inevitably smaller print and wind-catchingly thinner pages.” Here’s a handy guide to reading while you walk from the good people over at The Awl.
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The Art of Showing Off
If you enjoy showing the world how much you like to read, you’re in luck: The Paris Review and the LRB are asking people to submit photos of themselves reading either magazine as part of their new contest. All you have to do is post the image on Twitter, Facebook or Instagram with the hashtag #ReadEverywhere, and they’ll pick out the top images. The grand prize is one vintage issue of The Paris Review from every decade it’s been around, along with an artwork by Peter Campbell and a vintage LRB cover print.