18bis, a design and animation studio located in Rio de Janeiro, has animated Pablo Neruda’s homonym poem, “The Me Bird.” Laughing Squid has more information, as well as a behind-the-scenes look at how the video was made.
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.
James Gleick, writing for the New York Review of Books, looks at how the Library of Congress has begun “stockpiling the entire Twitterverse, or Tweetosphere, or whatever we’ll end up calling it” in order to create a modern-day “library of Babel.” I’ll admit that it sounds insane to collect the tweets of ~500 million users, so instead I offer an alternative. Let’s just record everything RT’d by Pentametron2013 for posterity, eh?
“Literary Magazine Submission Tips Submitted to Myself” by Joseph Scapellato