“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.
The Business of Books
On Marathon Readings
Writing for the Wall Street Journal, David Shapiro remarks on the current popularity of the marathon reading, or “a format of communal public performance that has more in common with the filibuster than the conventional literary reading.” Previously, Jeff Price wrote a piece on our site concerning the particular camaraderie that arises among participants and audience members during marathon readings. (As a bonus: I share a David Foster Wallace anecdote in the comments for that piece.)
Is It Now.
With texting and instant messaging perpetually on the rise, the world’s punctuation is starting to evolve. At The New Republic, Ben Crair identifies an odd new consequence of this change: the period is now a sign of anger.
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New Vampire Weekend
According to Chris Richards at the Washington Post, the Ivy League rockers of Vampire Weekend are the unapologetic Bright Young Things of our recession era. Drinking Darjeeling on Daddy’s yacht never looked so good, he says, and their second album, Contra, out yesterday, sounds pretty good too.
Chabon and Waldman Go HBO
Michael Chabon and Ayelet Waldman are teaming with Darren Aronofsky on an HBO pilot, Hobgoblin.
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Using Neuroscience To Study Art
Dutch researchers are using moistened electrode caps to measure the brain waves, heart rate, galvanic skin response and facial expressions on an author and fifty of his readers. They hope to find patterns “that may help illuminate links between the way art is created and enjoyed, and possibly the nature of creativity itself.”
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The Arcades Project
If you thought Michel Houellebecq was controversial, let me direct your attention to Kenneth Goldsmith. In this piece, the poet that everyone loves to hate asserts his desire “to take Walter Benjamin off the pedestal and on to the coffee table.” His newest, Capital, is out now.
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