“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
The Book of the Dead
Tuesday New Release Day: Englander, Chaon, Boo, Ausubel, Gaddis, Burroughs
Two hotly anticipated collections of stories are out this week: Nathan Englander's What We Talk About When We Talk About Anne Frank and Dan Chaon's Stay Awake. Also new this week are Katherine Boo's Behind the Beautiful Forevers, Ramona Ausubel's No One is Here Except All of Us, which she wrote about here recently, Dalkey's new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs' letters.
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Education in America
In The New York Review of Books, Anthony Grafton has a long piece on the issues facing the American university system. I've previously linked to Malcolm Harris' excellent n+1 piece on the "higher education bubble," but this infographic vividly illustrates that same inflation.
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It Becomes Your Dream
"All of your life, you think of that one fluid motion of power, terrorized by the fact we are capable of such collisions, such harm, such leveling of each other to flattened mountains, left to tunnel into ourselves, such wretched unhappiness, such unfathomable cruelty unless resurrected by the tenderness and affection of a lover, by kisses that leave us enthroned." Major Jackson is next up in the Kiss series from Guernica Magazine -- a weekly column which investigates that most intimate of human interactions, the kiss, in all its many manifestations.
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A Quintet of Interviews for Your Delectation
Anya Ulinich, author of Petropolis, talks to World Literature Today: "What else can a person do when she gets home after a ten-hour work day - with a toothache that she can't afford to fix . . . - but fall on the couch and watch whatever is in front of her face?" . . . Lydia Davis, whose Collected Stories is just out, talks to Sarah Manguso for The Believer: "At the origin of the work there has to be strong feeling, if it’s going to be any good. Of course, that strong feeling can be a delight in language." . . . The Book Bench unearths a 1978 John Updike interview with a Croation periodical, which finds the Rabbit Angstrom author halfway through his tetralogy. . . . Edwin Frank of NYRB Classics talks to Omnivoracious, and selects his favorite books in the series (via). . . . And James Ellroy submits to interrogation at The Paris Review: "I was always thinking about how I would become a great novelist."
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Like Cream
"I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well known as they should be—their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." An excerpt from Lydia Davis's foreword to Berlin's A Manual for Cleaning Women: Selected Stories is now online.
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Thanks for the kind notice of Reading the Grateful Dead, Mr. Moran – – much appreciated!