Recommended Reading: Meryl Cates of The Paris Review gets Millayed in Edna St. Vincent Millay’s gardens at Steepletop, the New England-style farmhouse where the Pulitzer Prize-winning poet worked and played. Pair with this essay from The Millions on reading writers’ houses.
Recommended Reading: Anne Barngrover’s poem “My Lover Vows to Follow Me Even after He Leaves Me” at Paper Darts. “If trust is to hem your promises/into my jacket lining like folded dollars during/an ice storm, then I have been trusting all my life.”
Adobe Books may become Adobe Books and Arts Cooperative thanks to a collection of young, influential artists who do not want to see their favorite bookstore/community space close its doors. You know, the one that records its book sales in a composition notebook, not a computer system. (h/t Lydia Kiesling)
Beauty is in the eye of the writer. Adelle Waldman discusses why many novelists fail to address female beauty in a meaningful and nuanced way. “Women are not only subject to a constant and exhausting and sometimes humiliating scrutiny—they are also belittled for caring about their beauty, mocked for seeking to enhance or to hold onto their good looks, while men are just, well, being men.”
The Paris Review and the 92nd Street Y have long collaborated on a series of onstage conversations with prominent authors. Now, these talks are going to be made available online as part of 92Y’s Poetry Center Online, and also on the Review’s website. Kicking off the first round of videos are talks with Garrison Keillor, Iris Murdoch, and William Styron. Look out in the coming months for more audio with the likes of Maya Angelou, Jamaica Kincaid, and Allen Ginsberg. (Bonus: 92Y has been adding heaps of content to its digital archive all month.)