“According to the biography, Hadden designed the fact-checking system with the thought that putting a male writer and a female researcher together in a quasi-adversarial situation would create a sexual dynamic that could lend energy to the process.” Calvin Trillin’s memories of the Time offices in the early 1960s are at times more Mad Men than Mad Men.
The annual Edinburgh World Writers’ Conference wrapped up earlier this week, but, thanks to the wonders of the internet, you can relive the magic: Transcripts and videos of notable speeches are available on the conference’s website, including the concluding talk on the future of the novel by China Mieville.
Year in Reading alumna and New York Times Book Review editor Parul Sehgal writes about her childhood reading habits. Millions readers should take a keen interest in this write-up for a couple reasons: 1) it’s awesome; and 2) the other half of her “we” is our associate editor, Ujala Sehgal.
Millions staff writing appearing elsewhere: At In Character, my essay about Derrick Borte’s The Joneses and the idea of the American impostor (ECW).
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.