Former Millions intern and current McNally Jackson bookmonger Rachel Hurn discusses “escaping from” San Diego with Eileen Myles. “The sixth time I saw Myles read, I told her I was stalking her,” Hurn writes. “I think she thought I was serious. Maybe I was.”
Stalking Eileen Myles
The Well
Anne Fernald writes about getting deep into her research: "Peering down isn’t enough, however. If you want to find the treasure that lies beneath the surface, you have to dive down into the well."
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A Spider of a Writer
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, "He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops." Pair with John Yargo’s Millions essay on Hrabal’s fiction.
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Hawthorne and Melville
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.
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Beware the Potterverse
In case you missed it: JK Rowling just released a new Harry Potter short story on her own promotional website. Before you get too excited: the New Republic is less than sanguine, calling it "a marketing scam." (Code for: not very good writing?) Which is not going to keep me from reading it anyway. Readers with more restraint might note that "You don’t have to be a Barthesian grad student to chafe at Rowling’s impulse to clarify the words on the page." (Pair with our discussion of fan fiction and the afterlife of literature.)
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Reading Rooster
There are plenty of reading apps out there, but a company called Rooster has released another, this one designed to "allow users to consume bite-sized pieces of highly curated fiction" whenever they have a few spare moments. In an interview with BookBusiness, Yael Goldstein Love, the editorial director of the project, described Rooster as aiming "to bring immersive reading, particularly fiction reading, back into busy peoples' lives." It's difficult to know how to feel about this. Of course we think busy people should read good fiction, but is this just a precursor to the inevitable change of literature in the face of growing technology and shortened attention spans?
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The Crisis of Criticism
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
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