“I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program.” At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.
“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
Nonfiction writing might work wonders for history books, but the heart of the genre is still the essay. In a piece for The Morning News Martin Connelly discusses his youthful resolution to be an essayist, which he quickly forgot and then gradually remembered. There are also ironic license plates, convicts and a baby, just to jazz everything up a little bit.
Some folks were abuzz this week about the release of all 47 endings to Ernest Hemingway’s novel A Farewell to Arms. That kind of commitment to a single story is impressive, and illustrates the author’s dedication to his work, but as Andrew O’Hagan points out in the London Review of Books, Big Papa loved no story so much as his own.
The reach of literary Brooklyn grows ever larger, as local hub BookCourt mounts a $300,000 campaign to convert the “Bibliobarn,” 160 miles north in the Catskills, into a “bookshop, event space, and writers’ retreat.” Upstaters, lock up your house-cured salume and artisinally sharpened pencils!