Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”
“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
“He was a sassy youngster…[A]s to burning the epistle up or not—it never occurred to me to do anything at all: what the hell did I care whether he was pertinent or impertinent? he was fresh, breezy, Irish: that was the price paid for admission—and enough: he was welcome!” Turns out Walt Whitman and Bram Stoker were pen pals.
Sam Sacks takes a look at the “two major acts” in the life of Vasily Grossman, the Jewish-Russian author perhaps best known for his monumental account of the Stalingrad siege, Life and Fate. (Bonus: Life and Fate was picked by Stephen Dodson as his Year in Reading pick back in 2011.)