Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”
RapGenius Breaks Down “The Wasteland”
Scaring Men
Here are a couple Halloween-related essays from the good people at The Literary Hub: This fascinating literary history of witches by Jess Bergman, and this piece by Tobias Carroll on non-fiction writers crossing the supernatural line between fantasy and reality.
2010’s Best Nonfiction
"Nearly 100 Fantastic Pieces of Journalism" from 2010, compiled, annotated, and linked-to by Conor Friedersdorf of The Atlantic. No Millions pieces here, alas, but we're gunning for you in 2011, Friedersdorf!
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I Grow Old
"If there is one thing more depressing than reading other people’s old letters it is reading one’s own." Becoming T. S. Eliot.
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Rise of the Neuronovel
"As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology." Marco Roth questions the rise of the "neuronovel" at n+1.
“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
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The Magnetic Fields: Rock’s Most Bookish Band?
At the NYRB, the Magnetic Fields' Claudia Gonson offers a sort of "Life in Reading": "I was very into Lord Jim for a year."
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