If you ever wondered what it was like to have Nabokov as a professor, read on. (A lot of movie screenings, apparently.)
Pnin
Lynda Barry on the Painted Novel
"I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting." The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.
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Anthony Shadid Dies in Syria
It was shocking to find that New York Times correspondent Anthony Shadid had died, of an asthma attack of all things, while reporting in Syria, especially when he's put himself in harm's way so many other times and emerged unscathed. Tyler Hicks, the Times photographer who was with Shadid when he died and who escorted his body out of Syria was, along with Shadid, among of the four journalists captured and held in Libya less than a year ago in the early days of the uprising there. Shadid's reporting was brave and essential there and elsewhere. His death comes just weeks before the release of a memoir, House of Stone: A Memoir of Home, Family, and a Lost Middle East.
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A Zombie Meets a Snake
Recommended Reading: Over at Harper’s, Anne Carson describes what happens when a zombie meets a snake, in her first published short story.
Chandler’s Poetry
Before cutting his teeth as novelist and screenwriter, Raymond Chandler tried to make it as a poet. Here are some early poems from the author of The Long Goodbye.
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Beltway Books
Editors and critics at The Washington Post put together a sixteen-image slideshow of books “to help introduce” our nation’s capital. This seems like the perfect excuse to try out my new favorite thing on the internet: the Slideshow De-Slide-ifier by ClusterFake.
20 Rules for Writing Detective Stories
"Secret societies, camorras, mafias, et al., have no place in a detective story. To be sure, the murderer in a detective novel should be given a sporting chance; but it is going too far to grant him a secret society to fall back on. No high-class, self-respecting murderer would want such odds." -From the much-quoted 1928 essay by SS Van Dine, noted art critic and mystery writer, on the 20 rules for writing detective stories. (via Guardian)
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I’m Nobody! Who Are You?
"[L]et’s not pull punches — misogyny has disfigured how Dickinson’s story is told. We’re missing out on a fierce mind when we reduce her to a spinster perseverating alone in her room writing poems to the ether." A new Emily Dickinson exhibition proves the poet wasn't nearly as much of a recluse as we've been led to think, writes Daniel Larkin for Hyperallergic. Pair with this piece on Paul Legault’s English-to-English translations of her poetry, which "transports Dickinson into mostly fortune-cookie length snippets of contemporary English, a dialect spoken widely in urban pockets like Brooklyn, where increasing numbers of the highly educated and literary classes live, procreate, keep each other amused, and make their own cheese."
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