If you ever wondered what it was like to have Nabokov as a professor, read on. (A lot of movie screenings, apparently.)
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Shakar’s Story Continues
The Observer picks up Luminarium author Alex Shakar's narrative where his piece here at The Millions left off. (via @sarahw)
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Bright Lights, Big Themes
A lot has already been said about Nicolas Winding Refn's newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: "Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: 'I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.' Fair enough."
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Modern Primordial
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by "a few writers who chart Florida’s strange vacillation between the modern and the primordial," including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more "Floridapocalyptic."
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Tournament of Books Kicks Off
Today marks the opening round of the always-worth-following Morning News Tournament of Books. In the ring, Adam by Ariel Schrag faces off against The Bone Clocks by David Mitchell, in a match refereed by Matthea Harvey. For background, you could read our review of The Bone Clocks.
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In Search of Lost Self
"I feel nothing. I think: What an ugly place for it to happen. I call it The Accident. I didn’t hear, or see, or feel any of it, or if I did, I stored it somewhere irretrievable even to me." Gloria Harrison's essay "Where the Highway Splits" stuns over at The Rumpus.