If you ever wondered what it was like to have Nabokov as a professor, read on. (A lot of movie screenings, apparently.)
“I certainly didn’t want to do something that felt as if I was having a séance. I started with her most personal papers. I wanted her interior voice; I didn’t want the formal writing. I went immediately to her diaries and letters and to the commonplace books. From there I started looking at the marginalia because I was getting a sense of wanting to know what was on her mind while she was writing in her journals.” Lynell George conducted a posthumous interview with Octavia Butler, Bomb magazine talked to her about the process. Pair it with this essay on slavery in fiction from our own Edan Lepucki.
Adobe Books may become Adobe Books and Arts Cooperative thanks to a collection of young, influential artists who do not want to see their favorite bookstore/community space close its doors. You know, the one that records its book sales in a composition notebook, not a computer system. (h/t Lydia Kiesling)
“[H]is authentic education as a reader began not while he was a history major at N.Y.U. or working at a literary agency in Manhattan but at the Green Haven Correctional Facility, in Stormville, New York. There, he offered, he had read a thousand and forty-six books.” Alex Halberstadt writes about “A Prisoner’s Reading List” for The New Yorker. It’s available online, and soon a lot more New Yorker articles will be too.
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.