It’s the weekend, and you know what that means. Time to explore your creative passions. That’s right! Find what you want to do and “dive in a full 10 percent and spend the other 90 torturing yourself because you know damn well that it’s far too late to make a drastic career change, and that you’re stuck on this mind-numbing path for the rest of your life.”
Passions, Hobbies. Same Thing, Right?
On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
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Whither the Footy?
Apart from the fact that Anglo-Indian slang is an interesting topic in its own right, you should read this article simply to reward the writer for this lede: “Pyjamas did not exist until the 19th century.”
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Crowdsourcing a Book
Important Indiegogo Alert: Kenneth James is editing the personal journals of novelist and critic Samuel R. Delany in a five-volume series. The first volume is complete, and James is asking for a bit of help to complete the second. Neil Gaiman has offered substantial monetary support.
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The End of the Poe Vigil
It’s been nearly three years since an unknown man last marked Edgar Allan Poe’s birthday by leaving three roses and cognac at Poe’s grave. Today is Poe’s birthday and “Poe fans are planning one last vigil this week before calling an end” to the decades-long tradition of watching the mystery mourner pay his respects. (via)
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Reading Poetry
“The very best way to read a poem is perhaps to be young, intelligent, and slightly drunk.” The Atlantic offers 20 strategies for reading poetry, and they pair well with Leah Falk‘s look at “Performance Anxiety: When Poets Read Aloud.”
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Sonya Chung on the Writing Life
Sonya Chung discusses her recent essay on the film Green Book, as well as how she deals with imposter syndrome as a writer.
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