“The greatest Intelligence Agency use of Twitter that never really happened is @US_CIA, a remarkable account that posted plausible Langley public notices that became noticeably stranger over time. Eventually it was claiming 30% of all CIA employees were LGBT and/or First Nation and tweeting directly to @khamenei_ir, Iran’s ayatollah.” At The Awl, Ken Layne investigates the world of Espionage Twitter.
Netherworlds of the Twittersphere
On Broken and Repaired Circuits
Another year, another year of Full Stop Features, and Peter Nowogrodzki is starting things off with a bang. In a thorough and engaging review, Nowogrodzki dives into Tan Lin’s miniature book The Patio and the Index.
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Do Not Pass Go.
Christopher Ketcham takes Harper’s readers through the “antimonopolist history” of Monopoly, “the world’s most popular board game.”
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Fancy Yourself a Bowdlerizer
“Books can be dangerous objects–under their influence people start to wonder, dream, and think.” In “celebration” of Banned Book Week, the New York Public Library has a quiz for you to find out how much you know about the freedom to read. See also our tribute to The Bluest Eye, one of the United States’ most challenged books.
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The Fictive Wallpaper
Artist Julia Callon creates dioramas inspired by nineteenth-century works of fiction such as Jane Eyre and “The Yellow Wallpaper.”
Confessions of a Modern Opium Smoker
“Sir Arthur Conan Doyle, Oscar Wilde, Rudyard Kipling, and Charles Dickens wrote about opium smoking in their novels. But if you read the way they describe opium smoking, without a doubt these people never saw the real thing. It’s laughable…What we see in movies, even to this day, with the obligatory London opium-smoking scene is complete fiction.” Interview with a modern-day opium addict.
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English Hangs Over Me
The January issue of Asymptote is out, featuring an excellent interview with Year in Reading alumnus Junot Díaz about language acquisition and diasporic identity. As he puts it, “I live a life where both English and Spanish are in italics in my brain. It costs me no extra effort; it doesn’t feel unusual; it doesn’t feel like an infirmity, but it does strike me every now and then that there are people who don’t pick over their language the way I do, who aren’t so self-conscious of what they’re saying, who have a natural tongue.” Pair with Thea Lim’s Millions essay on race and gender in Díaz’s books.
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