You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.
A U.S. Navy commodore’s 1823 General Order announcing the imminent seizure of Key West – at the time known as Allenton – has been obtained, along with “1,000 other pieces of the island’s history,” by the Monroe County Public Library. The collection also includes a book from 1858 written by William Curry, “a penniless Bahamian immigrant who became Florida’s first millionaire.” Best of all? You can view some of the cache online.
The 100th anniversary of the publication of James Joyce’s Dubliners occurs this month, and the occasion is being celebrated with the launch of Dubliners 100, a “reimagining and rewriting of the 15 original stories by a range of well-established and promising writers.” Among the modern writers lending their talents to the homage is Paul Murray (Skippy Dies), Donal Ryan (The Spinning Heart), and Pat McCabe (Butcher Boy).
Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”
Maybe the real reason I like Jennifer Egan is that there are so many freckled protagonists in her books. Patricia Zohn at the Huffington Post asks the author about her family, parenting, and her writing obsessions (like freckled faces). She even gets a photo of Egan as a teenager!