You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
Nebulous Plotlines
Raymond Chandler on How to Write Detective Stories
“The good detective story writer (there must after all be a few) competes not only with all the unburied dead but with all the hosts of the living as well. And on almost equal terms; for it is one of the qualities of this kind of writing that the thing that makes people read it never goes out of style.” Raymond Chandler’s 1950 essay, “The Simple Art of Murder” is a real gem.
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All the Pretty Horses
There’s a quiet war being waged against Wyoming’s wild horse population, reports The Altantic‘s Andrew Cohen.
Lambda Award Winners Announced
The Lambda Literary Award winners were announced, including Under the Udala Tree author Chinelo Okparanta, Dawn Lundy Martin, and Hasan Namir.
Writing Sarcastically
Sarcasm makes the Internet go round. No, seriously, it basically does, and over at The Toast a linguist examines some of the strategies writers have developed, or are trying to develop, to communicate that sarcasm through writing, without the benefit of an eye-roll and a different tone of voice.
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The Odyssey, Mapped
An interactive map created by Gisèle Mounzer tracks the winding, often circuitous journey taken by Odysseus in Homer's Odyssey.
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The Art of the Essay
What makes an essay literary? Over at the Kenyon Review, the editors explore language as an end in itself. Also check out H.S. Cross’s Millions essay on writing what you don’t know.
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The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”