New this week: Voices in the Night by Steven Millhauser; Gutshot by Amelia Gray; The Dead Lands by Benjamin Percy; The Turner House by Angela Flournoy; The Fishermen by Chigozie Obioma; The Fair Fight by Anna Freeman; Lurid and Cute by Adam Thirlwell; The Given World by Marian Palaia; The Winter Family by Clifford Jackman; Diamond Head by Cecily Wong; and Whispering Shadows by Jan-Philipp Sendker. For more on these and other new titles, check out our Great 2015 Book Preview.
“Now, I’m not going to lie. It’s annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world’s young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
As a child, Xiaolu Guo hunted birds and toads to survive. Now, as a writer in Britain, she’s written a memoir about her difficult childhood, which you can read more about in this review in The New Statesman. Sample quote: “Perhaps it is no coincidence that the reason that Guo gives for deciding to write in English is to be free of Chinese government censorship, a process that she describes as the wearing down of a rock’s sharp edges to a smooth pebble.”