“More commas, please.”
Talking with Norman Rush
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
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Mad, Bad, and Healthy to Know
“It was spring. Byron was leaving England forever, a cloud of infamy hanging over him. (He is one of the few people you can write something like that about and have it be true; that is part of why he’s so satisfying.)” Via The Awl: the adventures of John Polidori, literary vampire and doctor to Lord Byron.
Whiting Winners
Lots of excellence on the list of 2011 Whiting Award winners: Teddy Wayne, Daniel Orozco, Ryan Call, and more. If I were you, I’d celebrate the weekend by reading Orozco’s “Orientation.”
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Product Placement in 19th Century British Novels
A recent survey of 19th century British literature uncovered advertising subtly placed within classic texts by authors like Dickens, Austen, and Thackeray. From Vanity Fair, for example: “‘My sisters say she has diamonds as big as pigeons’ eggs,’ George said, laughing. ‘How they must set off her complexion! Surely she avails herself of Madame A.T. Rowley’s Toilet Mask (or Face Gloves)…’” (via Book Bench)
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You’re (Printed In) Carcosa Now
The Only RX Press is calling for short stories between 1,000 and 3,000 words “related to or inspired by True Detective.” (Related: Our own Ujala Sehgal recommended five crime novels in which the women are the true detectives.)
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“Thousand-watt sadness”
The most depressing favorable review of a TV show you’ll read this year, LA Review of Books shares why “Catfish: The TV Show” is so poignant and so very sad.
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The Night Circus
Erin Morgenstern‘s debut novel The Night Circus gets the NPR treatment. She’s totally appreciative.
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