It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer’s new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you’re wondering, his friend Daniel Craig is not how he pictures the superspy.)
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.
Do you ever find yourself skimming novels looking for exciting words and hyperlinks? You aren’t the only one mixing up the digital and print reading worlds. Neuroscientists believe we are developing new brain circuits for skimming online information that are rewiring how we’ve approached reading for centuries. Pair with: Our essay on how writing is also changing to fit our fragmented attention span.
“All war literature, across the centuries, bears witness to certain eternal truths: the death and chaos encountered, minute by minute; the bonds of love and loyalty among soldiers; the bad dreams and worse anxieties that afflict many of those lucky enough to return home.” In an omnibus review for The New York Times Michiko Kakutani looks at the fiction and journalism being written about the wars in Iraq and Afghanistan, including recent Year in Reading alum and National Book Award winner Phil Klay‘s Redeployment and Dexter Filkins’s The Forever War, “the one book that most fluently and kaleidoscopically captures both the micro and the macro of Iraq.” She also wonders, and attempts to explain, “why has there been no big, symphonic Iraq or Afghanistan novel?”