It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer’s new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you’re wondering, his friend Daniel Craig is not how he pictures the superspy.)
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
Nonfiction writing might work wonders for history books, but the heart of the genre is still the essay. In a piece for The Morning News Martin Connelly discusses his youthful resolution to be an essayist, which he quickly forgot and then gradually remembered. There are also ironic license plates, convicts and a baby, just to jazz everything up a little bit.