A while back, I noted that Moleskine was preparing an initial public offering on the Italian stock exchange. Well, now the time has come. On April 3, you will be allowed to buy shares of the notebook company (and perhaps keep records of them within your Moleskine). If you’re interested, you might want to read up on the company’s history – and also on how to pronounce its name.
Moleskine’s Imminent IPO
Reading about Reading
Recommended Reading: Clare Beams writes for Ploughshares about the effect of reading a story in which someone reads a story.
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Odd Jobs
Recommended viewing: The New Yorker's Adam Gopnik talks about his early years in New York writing for the magazine "though they simply weren't aware of it, or when they were aware of it they were extremely unenthusiastic," and about all the odd jobs that often make up a writer's early career, something our own Emily St. James Mandel has written about before.
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James “Faulkner” Franco
James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
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“We are pouring a lot of money down the drain”
A lucid piece in The Boston Globe explains how "academic publishing is not a free market."
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Bourdain’s “Gourmet Slaughterfest” Graphic Novel
Guardian reports that Anthony Bourdain is writing a new “gourmet slaughterfest” graphic novel about “ultraviolent food nerds,” intended to be “a cross between Eat Drink Man Woman and A Fistful of Dollars.”
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A Malpractitioner By Any Other Name?
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.
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Great, No, Greatest
"Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. ... America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway." Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week's New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
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