On Monday, March 11th, Electric Literature and Lazy Fascist Press celebrated the release of Sam Pink’s novel Rontel. (If you need a refresher, I wrote about Rontel a few weeks ago.)
Lit Pics, Part Deux
But How Many Samples Does it Use?
One good way to spend your Sunday: reading a 7,834-word Atlantic profile of Kanye West. Heck, even Obama's a fan.
Not Loving the List
In the Chicago Tribune, Julia Keller explains why all the year-end lists are a tiresome exercise: "What annoys and disappoints me, though, is the chilly retrospective nature of such lists. They drain all of the blood from the critic's job. They require a cold, methodical calculation of passions long past. They're about yesterday's yearning. Compiling them is a bit like trying to remember why you used to be in love with so-and-so." (Thanks, Laurie)
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Theories of Theories of the Novel
In the Boston Review, Jess Row wades - slowly, interestingly, not always coherently - into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really "a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?" Probably not, even granting Row's exception. But possibly worth arguing about. If you like that sort of thing.
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The Fiction of Borders
Molly Crabapple writes for VICE about translating Syrian poet Nizar Qabbani and the fiction of citizenship. As she explains it, “Words don't need visas, but humans do. [...] Citizenship is our most loaded form of fiction.”
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Civil War & Historical Stupidity
Ta-Nehisi Coates wants to make America less stupid about the Civil War. He recommends five books we should all read to gain a better understanding of American history during this war and assures us that "I’ve tried to think very hard about readability, and to offer books you might actually complete." So no excuses, start here
“Anything but the perfect external man”
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)
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