“Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?…Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism.” At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg’s new and controversial Lean In.
“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
There was an article in the New York Times on cook book ghostwriters, and it called Gwyneth Paltrow out for not writing My Father’s Daughter. Then the actress cum gourmand denied having worked with a ghostwriter in a tweet. Now Sari Botton, a frequent ghostwriter, has tried to clear the whole thing up in an essay on The Rumpus on why ghostwriting is such a fickle business, and a tricky term.
“[H]e is a true, unrepentant nerd, who has only ever been looking for his people.” Buzzfeed‘s Doree Shafrir talks with Michael Chabon (and his wife, the writer Ayelet Waldman) about being a good literary citizen, his life in letters, and his new “fictional memoir” Moonglow.