n+1 editor Keith Gessen discusses how the magazine’s editors “are slowing down.” “We’re not mad at anyone anymore,” he says. “We think everything is great.”
Keith Gessen’s Longform Podcast
A Censor’s Tour
Recommended reading: Peter Hessler writes about spending a week on tour with his Chinese censor.
Old Hand
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.
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Ice Ice Baby
"When they’re not at their day jobs, a great many of the island’s 330,000 inhabitants dabble in verse." The New York Times attempts to understand why Iceland is chock-a-block with poets. A few years back we reviewed one of its better known practitioners (and Björk lyricist) Sjón.
J.D. Salinger’s Stories: Read Them If You Must
OK, so you’ve read our article about why you should respect J.D. Salinger’s wishes by not reading his unpublished stories, but you’ve also noticed that nobody’s really said anything about his stories that are out-of-print.
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Sedaris’s Story Comes to the Big Screen
After years of rebuffing film deals and movie rights offers, David Sedaris has finally allowed one of his stories to be made into a motion picture. This month, you’ll be able to check out University of Miami alum Kyle Alvarez’s adaptation of “C.O.G.” (Child of God). You can check out a trailer over here.
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Endless Depths
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.
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The Real Dystopia
n+1 republished “The End, The End, The End,” an essay by Chad Harbach, in response to the destruction of Sandy.
Sick
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could...at this point, it’s perversity that keeps me writing.”