John Brunner’s Stand on Zanzibar isn’t the only vintage science fiction novel making waves this week. Andrew Joron takes a look at “German fantasist” Paul Scheerbart’s Lesabéndio – a 1913 novel that was recently reissued by the folks at Wakefield Press.
Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)
An early example of the literary take-down. Willa Cather on Mark Twain: “He is not a reader nor a thinker nor a man who loves art of any kind.”
Elie Wiesel — Auschwitz survivor, Nobel Laureate, political activist, and author of Night — passed away yesterday at the age of 87. Here’s a quote that perfectly captures Wiesel’s essence, from his Nobel Prize acceptance speech: “I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men or women are persecuted because of their race, religion, or political views, that place must – at that moment – become the center of the universe.”
David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.