Good news, Twitter poets! The Goddess of 140 Characters decided to let us tweet line breaks. (h/t Slate)
Introducing/A New Feature
The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
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How to Finish a Fairy Tale
“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children’s book by Mark Twain. See also: our consideration of Twain’s self-deprecating travelogue The Innocents Abroad.
FLOW
Year in Reading alum Michele Filgate interviews Dawn Finley, one of the people behind the Feminist Library on Wheels (F.L.O.W.) in Los Angeles.
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Class Notes
This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
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Reevaluating Yoko Ono
After you finish reading this reconsideration of the music of Yoko Ono, you might want to get reacquainted with her entire oeuvre, starting with the fascinating Cut Piece.
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