What’s it like to have Jacques Barzun edit your first novel? Besides terrifying, of course.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
“I’m interested in character. I’m especially interested in how language—story, memory, names, word choice—reflects and reveals character. The language of the Catholic Church—the liturgy, the prayer, the gospels—was in many ways my first poetry. ” Year in Reading alumna Alice McDermott discusses her short story, “These Short, Dark Days,” published in the latest The New Yorker.