“‘Tuya’ means ‘graffiti’ in Chinese—the name is recent—and this street, three-quarters of a mile long, may be the longest stretch of public art in the world. It’s also a government-sanctioned ‘art district,’ centered around the Sichuan Fine Arts Institute, which was established in 1940…I noticed that every artist I spoke to referred to 2005 as the year everything changed. 2005 was the year the government became interested in art.” Art in Chongqing.
Out this week: The Nix by Nathan Hill; Ashes of Fiery Weather by Kathleen Donohoe; The Legend of Jesse Smoke by Robert Bausch; and Sex and Death, a new story anthology including pieces by Kevin Barry, Wells Tower and Yiyun Li. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: “That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential.”
Putting aside for a moment the racist phrenological roots of the terms “highbrow” and “lowbrow,” here’s an interesting conversation on what the difference between them means for literature now. For a historical take, check out this graphic from a 1949 edition of LIFE magazine, which taught me a real gentleman wears fuzzy tweed, and iceberg lettuce is never in style.
“That little book had such an impact. It changes the course of history. When you think about how sheer accident can change so much, it’s breathtaking.” A set of Luo-language books written by President Obama’s father are up for auction until today, reports The New York Times. Written for the East African Literature Bureau,“the series uses the character Otieno, the Wise Man to offer advice on farming, healthy eating habits and other topics.” Pair with our own Janet Potter on reading presidential biographies.