“‘Tuya’ means ‘graffiti’ in Chinese—the name is recent—and this street, three-quarters of a mile long, may be the longest stretch of public art in the world. It’s also a government-sanctioned ‘art district,’ centered around the Sichuan Fine Arts Institute, which was established in 1940…I noticed that every artist I spoke to referred to 2005 as the year everything changed. 2005 was the year the government became interested in art.” Art in Chongqing.
Hannah Withers and Lauren Ross have written about today’s state of publishing for McSweeney’s. Their conclusion? Young people read more than you. According to Laura Goode, though, moms are reading more YA novels than their kids. Either way, everyone can start reading in the bathtub thanks to waterproof paperbacks.
“Samuel Greenberg belongs in the pantheon of literary manqués,” writes Jacob Silverman. The poet was a favorite of Hart Crane, who described him as “a Rimbaud in embryo.” But did Crane take his adoration too far? Did he in fact “remix,” re-purpose, or plagiarize some of Greenberg’s work?
Recommended listening: Radio Open Source has been broadcasting Anton Chekhov‘s short stories, with voices including Chekhov translator and biographer Rosamund Bartlett, author Andre Dubus of House of Sand and Fog, and numerous other writers, actors, and scholars. “Chekhov makes you want to be a better person. He makes you want to live a better life.” (Unpersuaded? Consider our essays on why reading Chekhov, unlike booze or smokes, will make you a better person in 2014.)
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet’s latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author’s knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.