If you get bored on your daily commute, you might want to look at Derive, an app that generates random routes that give you new perspectives on your city. As The Common founder (and Millions contributor) Jennifer Acker puts it: “Let the French show you how to walk.”
This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
“Why write in an unlovable genre with an inevitably hectoring tone? Dystopia, situated in a dangerous no-man’s-land between the pulpit of the preacher and the safe sniper post of the satirist.” Future futurists, take note: the New York Review of Books reviews Chang-Rae Lee’s addition to your dystopic shelf, On Such a Full Sea, and ponders the virtues of the dystopic endeavor itself. (Bonus: Lee writes about his own 2013 Year in Reading here at The Millions.)
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts “one of the best voices to come out of literature in the last…oh, ever, probably”), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.
Here’s a novel idea: using literature to map out the emotions of a time period. (1940s? Sad. 1920s? Happy. 2010s? …Don’t ask.)