Steven Spielberg is working with Stanley Kubrick’s family to adapt a long-abandoned biopic screenplay about “the life of Napoleon” for a TV miniseries. Spielberg last adapted work from the late filmmaker in 2001’s A.I.: Artificial Intelligence.
In his review of a collection of rejected New Yorker covers titled Blown Covers: New Yorker Covers You Were Never Meant To See, Jeet Heer details the magazine’s history of straddling the divide between bourgeoisie complacency and bohemian angst.
“The reality of being a librarian is that it’s hardly ever about sitting down and it has absolutely nothing to do with peace and quiet.” Lit Hub launched Tales of the Library, a new bimonthly column, by Kristen Arnett. From our archives: an essay about libraries and homelessness.
A while back, we reviewed an anthology of work by American poets laureate–that is, those appointed by the President to serve the entire United States. But there are 45 currently-serving state poets laureate, and thousands of city, county, and other poets laureate as well. What exactly do they do?
“The state of diversity and equity in publishing is grim and has been for a long time—since the industry’s founding back in the day.” Camille Rankine, Morgan Parker, Year in Reading alumnus Alexander Chee, and seven other writers talk about diversity in publishing.
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.
“Of course, his word-pictures don’t define the art of poetry—nor are they meant to. In part they exemplify it; in part provide a warning that such an art eludes straightforward setting out in words.” On Horace’s and Archibald MacLeish’s Ars Poetica.