David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
Ferlinghetti on Folksingers
The Rise of the Insta-Poet
How do I love thee? Let me turn the contrast down and put a Valencia filter on it. Instagram poets like Lang Leav and Tyler Knott Gregson may be the future of poetry–but is their work deserving of their massive followings?
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The Myth of the Recluse
Nathan Bransford points out that nobody is "just an author." Even Thomas Pynchon promotes himself.
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Bent Relics of Adolescence
Don DeLillo has a new short story in The New Yorker, about a teenage boy in the midst of his parents’ divorce. Delillo spoke with Deborah Treisman about the character’s obsession with words and how he sees his identity in light of his parents’.
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Curiosities: As Compiled by a Hologram
So much to hate: The Beast's 50 Most Loathsome People in America 2008Bookshelves gone wild: Plant your tree of knowledge next to your literary playground.At the Vroman's Bookstore blog, Patrick talks about why "books need more time," and looks at how one book is getting more than the one week it was given.n+1 launches N1BR, the book review supplement to n+1. One of the editors is Nikil Saval, who appeared in our Year in Reading series in 2008.The earliest celluloid film (from 1888) can be found - where else - on YouTube. (From The List Universe's "Top 10 Incredible Early Firsts In Photography")As if it wasn't already hard enough to get up for work in the morning: Our world may be a giant hologramJack Shafer responds to David Carr's call to "invent an iTunes for News."
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Élisabeth Gille Part Two
In a recent article on Irène Némirovsky’s daughter Élisabeth Gille, Ruth Franklin picks up where our own Emily St. John Mandel left off.
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