David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
Ferlinghetti on Folksingers
Not Quite a Novel, Not Quite a Tweet
Melville House’s “Art of the Novella” series gets some major, major love from Joe Fassler in The Atlantic.
Granta’s Best of Young American Novelists
Once a decade, Granta publishes a special “Best of Young American Novelists” issue featuring work from American fiction writers under the age of forty. The latest list includes Millions staffer and City on Fire author Garth Risk Hallberg, as well as Lauren Groff, Yaa Gyasi, Ottessa Moshfegh, and Claire Vaye Watkins, to name just a few. The issue will hit shelves on May 4th.
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e-Forgetting
Dwight Garner’s New York Times piece last weekend, “The Way We Read Now,” was a joy, but I wonder how his opinions might’ve changed had he read this Time article first. Apparently some scientists speculate it’s harder to remember digital content than print.
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Good Writer or Bad Dad?
Does being a writer make you a bad father? Matthew Norman ponders his fear at Salon. “As a fiction writer, I’m perpetually in some state of preoccupation. At any given moment, I’m suffering over people who don’t exist—who will never exist.” Maybe he should try Polly Rosenwaike’s tactic and read fiction about the opposite parent.
A Fine Statement
This piece on the limited language of David Lynch from Dennis Lim over at The New Yorker is a fascinating journey into the mind of the peculiar auteur behind such gems as Eraserhead and Twin Peaks. Lynch will be publishing what he has called a “quasi-memoir” sometime in 2017.
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Conquest of Panic
Irving Howe asks how Hemingway commanded the attention of a generation. Howe writes, “His great subject, I think, was panic.” Our own Michael Bourne recently answered this question, recognizing Hemingway as a middlebrow revolutionary.
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