Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.