Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
How do you spell t-r-a-c-t-i-o-n? Our recent stories about the spreading Occupy Wall Street protests seem to be part of a trend. The Pew Research Center’s Project for Excellence in Journalism reports that the protests accounted for only 7% of coverage in all news media nationwide in the past week — but that’s a four-fold increase from the week before.
Is the global literary marketplace changing the way that novelists write? Over at Public Books, Dora Zhang writes on Rebecca Walkowitz’s Born Translated and books that “appear simultaneously or nearly simultaneously in multiple languages.” Pair with this Millions piece on literary translators at work.
Wyvern is publishing a “Haunted” theme issue just in time for Halloween this year, and you have until mid-September to submit your work. “Haunting is in your bones,” Wyvern’s editors write. “You know it when you feel it, and you know it when you write it. That is what we’re looking for.”
Carl Wilson, author of Let’s Talk About Love: A Journey to the end of Taste (a book length study of Celine Dion‘s megablockbusting album of the same name), revisits the enduring and sort of nauseating classic from Titanic‘s soundtrack in The Atlantic.