Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
Extremely Ephemeral Fiction
High Fantasy
You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
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Night Shade Books Gets Shady
A publishing flap in three parts, with colons. 1: Publisher's Weekly details unsettling allegations about Night Shade Books -- an unwillingness to answer calls from writers or their agents, stolen digital rights, and missing royalty statements. 2: Night Shade issues an apology. 3: A wronged writer responds.
GIFs Can Be Serious, Too
There are a lot of funny and silly GIF blogs out there, but what if you're more "serious-minded?" What if you want something more fulfilling out of 2012's "Word of the Year?" Well, you're in luck.
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Poetry’s Lost Amateur Hour
Though no big name today, early 20th-century poet Florence Ripley Mastin published prolifically in her lifetime – a dozen times in Poetry, more than 90 in the New York Times. Poetry’s Ruth Graham argues that the successes of Mastin, an untrained amateur, say more about her times than her talent. These days, amateur poets today benefit from refrigerator poetry sets, numerous poetry apps and sites, and the infinite community of the internet, but the Times has long excised poetry from its pages. In the archives, Patrick Wensink meets and analyzes those who doggedly pursue poetry these faded days.
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Grappling with Language
“Aposiopesis: To cut short a trash-talking opponent mid-taunt by suplexing him. Can also be used in political debates.” Matt Seidel walks readers through a glossary of rhetorical wrestling terms.
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Sarah Ruhl brings Elizabeth Bishop and Robert Lowell to the stage
Poet turned playwright Sarah Ruhl's latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers' letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven't already.)
The Kids Are All Right
Recommended Reading: On coming out as a gay children’s book author.
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