Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
Extremely Ephemeral Fiction
I’ma read I’ma read I’ma read
Hip-hop lyrics repurposed as book blurbs. Also, if Ron Swanson blurbed books. And of course, our own history of the blurb.
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The Lost City of Chabon
Michael Chabon teases us with a synopsis of his “wrecked” 1,500-page novel, Fountain City (to be excerpted in a forthcoming issue of McSweeney’s).
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Constance Garnett Gets Her Due
Sara Wheeler tells the story of Constance Garnett, an "indefatigable worker" who translated the works of Dostoevsky and Chekhov.
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Tuesday New Release Day: Saunders; Erickson; Umansky; Lowe; Rohan; Drabble; Richler
New this week: Lincoln in the Bardo by George Saunders; Shadowbahn by Steve Erickson; The Fortunate Ones by Ellen Umansky; All That’s Left to Tell by Daniel Lowe; The Weight of Him by Ethel Rohan; The Dark Flood Rises by Margaret Drabble; and Be My Wolff by Emma Richler. For more on these and other new titles, go read our most recent book preview.
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Good Omen
It’s been 23 years since Terry Pratchett and Neil Gaiman wrote Good Omens together, but a new collaboration is in the works. Director Dirk Maggs revealed to RadioTimes.com that he’s working with Gaiman on a Pratchett project for BBC Radio. Previously, Maggs teamed up with Gaiman on the excellent Neverwhere radio adaptation. More good news for Pratchett fans: he just signed a 10-book deal with Doubleday and Anchor Books.
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