Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
“I’ve learnt so much from this profound novelist about nuance, understatement, technique.” Eighteen handwritten homages to Jane Austen by well-known writers are up for auction until tomorrow. Margaret Atwood, Kazuo Ishiguro, Hilary Mantel, and Ian McEwan are among the authors whose tributes will raise funds for the Royal Society of Literature, reports The Guardian. And read our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen's Pride and Prejudice.
Four days ago, The New York Times exposed the practice of purchasing five-star reviews on Amazon. So far, few have offered solutions. A Reddit user explains how to properly read Amazon review graphs through the cloud of purchased hype. Erin Keane calls for independent writers to hold themselves to higher standards.
"This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives." Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
New this week: Tupelo Hassman's debut Girlchild, a pair of novels -- Angel and A Game of Hide and Seek -- by Elizabeth Taylor (not the actress) from NYRB Classics featuring introductions by Hilary Mantel and Caleb Crain, Self-Portrait of an Other, prose poems by Cees Nooteboom, and Useless Landscape, or A Guide for Boys, a new poetry collection from D.A. Powell.