Following the death of Hugo Chavez, the publishing industry is gearing up to provide retrospectives of his life. At the Christian Science Monitor, Whitney Eulich reviews Comandante, a book that claims Chavez was “this close” to becoming a dictator.
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
Reflecting on the sales figures of Lean In and How to Win Friends and Influence People, Sarah L. Corteau wonders: could it be that self-help is America’s quintessential genre? (You could also read Alan Levinowitz on the paradox of Christian self-help books.)
Man Booker judge Colin Thubron expressed frustration with gushing book blurbs, which he says “almost blackmail” readers: “you’re either intellectually or morally incompetent if you don’t love this book or you’ve failed if you haven’t understood it.” Our own Bill Morris tackled the age old question—”To Blurb or not Blurb”—a few years ago.
Many writing guides feature long explainers that detial how to craft a great plot. They’ve turned the phrase “rising action” into a buzzword in many classes. At Page-Turner, a short comic illustrating major plots that don’t work, including one in which the protagonist “ignores the problem until it goes away.”