If you’re a bookseller, you know that terrible book covers are a part of your everyday life. Which is why, when the folks at McNally Jackson saw the cover of Evan S. Connell’s Mrs. Bridge, they conspired and took a stand.
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
Is all publicity good publicity? Are all reviews---even bad ones---good for books? The answer, according to a new study [pdf] by the journal Marketing Science, depends on whether the writer is well known or unknown. The study examined the impact of a New York Times review on the sales of more than 200 hardcover titles. For books by established writers, a negative review led to a 15% decrease in sales. For unknown authors, a negative review increased sales by a healthy 45%.
“With each step, I had to remind myself to touch pavement again, as if in a moment’s forgetfulness I might slip the earth’s magnetic pull and go pinwheeling over Sydney Harbor and out to sea,” our own Michael Bourne writes in his Dispatches column at The Common, “Stanley Street.”