This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
Recommended reading: "One of the drillers fell to his knees. Some sobbed, in the way men do when their mothers die, or when their sons are born." An exceptional and deeply moving long-form essay in the New Yorker recounting the 69 days spent underground by the famed '33' Chilean miners buried in the 2010 accident at Copiapó.
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
"In eleven years, I’ve written four books: three novels and one story collection. Only the story collection has ever seen the light of day; the first two novels, including my thesis, were never published and the third novel is making the rounds with agents right now. I’d like to believe I’ve learned a few things about how fiction works over this time, but perhaps it is more accurate to write that I have learned how my fiction does – or in many cases, does not – work." Michael Nye, who's written for us before, shares his "Lessons in Failure and Writing a Novel" on the Missouri Review blog.
This week saw the release of The Jaguar’s Children, a novel set on the Mexican border that draws on author John Vaillant’s experience in his wife’s home state of Arizona. At The Walrus, Sasha Chapman provides more background on Vaillant in her review of the book, which notes the importance of jaguars in Mexican symbology.