How’s your bracket doing? Upsets abound not only on the hardwood but also in The Morning News’s Tournament of Books. Celebrate your victory over lesser bracketologists (or, alternately, mourn your defeat against the onslaught of superior bracketologists) with this compendium of basketball poetry compiled by the folks at the Poetry Foundation.
Brackets Busted
Living and Translating is Wearing Me Out
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.
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A Literary Pathway
Recommended Reading: On the work of Aleksandar Hemon and how literature helps us cope.
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Lichtenstein’s Art Comes Full Circle
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
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Go Buy A Watchman
In the spirit of the relentless consumerism and the commodification of literature, five hundred signed, specially-packed copies of Harper Lee’s Go Set A Watchman will be retailing for $1,500 each. Did someone say “consumerism“?
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Let’s Trade Manuscripts
“If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is.” What makes bad writing so bad? Toby Litt at The Guardian investigates.
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China’s Censorship Army
Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”
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Insult to Insult
“Who was Bret Easton Ellis describing when he tweeted: ‘The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn’t able to achieve’?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let’s talk about books about violence.
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