How’s your bracket doing? Upsets abound not only on the hardwood but also in The Morning News’s Tournament of Books. Celebrate your victory over lesser bracketologists (or, alternately, mourn your defeat against the onslaught of superior bracketologists) with this compendium of basketball poetry compiled by the folks at the Poetry Foundation.
Azar Nafisi thinks the best way to pin down a culture is to take a look at its canonical works of literature. In The Republic of Imagination, as Adam Begley details in a review in the Times Literary Supplement, she examines a few of America’s classic novels, including Babbitt, Huck Finn and The Heart is a Lonely Hunter. You could also read Jonathan Russell Clark’s review of the book for The Millions.
“It turned out that the most successful Christmas records tended to have two common qualities: catchy, upbeat melodies and imagined unlikely scenarios for anthropomorphized yuletide characters.” Move over, Frosty! It’s beginning to look a lot like … an unseasonably warm December. Here is a brief history of Christmas songs and of their often-surprising rise from corny kitsch to global sensation.
In the wake of Jonathan Franzen's much discussed New Yorker essay on Edith Wharton, Laura Miller defends readers who look to an author's life to aid their understanding of a given work: " Byron’s clubfoot, Flannery O’Connor’s lupus, Coleridge’s opium addiction and whatever was wrong with Hemingway do interest many readers because these factors shaped the life experiences from which the great work sprang."
When The New York Times tried to ask Jhumpa Lahiri what immigrant fiction inspired her, she smacked the question down by saying there is no such thing as immigrant fiction. "If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction."